Who says hair can’t be art? We meet Taiba Akhuetie, who uses flowing human and synthetic locks to take brollies, tables, chairs, lampshades, handbags and more into a wild and wavy new dimension
Taiba Akhuetie’s art is uncomfortable to look at. This is mostly because you’re not sure whether you’re in the presence of something alive or dead. She uses hair as her medium, constructing mundane items out of synthetic and human locks. Handbags, mirrors, rocking chairs and umbrellas are adorned with long, chunky braids and loose, pin-straight strands. The result is that these inanimate objects take on the eerie quality of taxidermy.
Akhuetie, whose work is about to go on show at the Sarabande Foundation in London, has memories of being fascinated by hair in her childhood. “We used to go to my mum’s friend’s house …” She stops and quickly corrects herself. “My auntie’s – she would be called auntie, obviously.” Akhuetie would watch her “auntie” braiding her sister’s hair, taken aback by how quickly her fingers moved. She also remembers doing plaits for her friends at school in Kingston, Surrey, and feeling that she was naturally good at it.
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